Examples of ancient reed pens. Reed pens from the Roman Era.
The Sumerian invention of the reed pen was used
for thousands of years up to the present day.
From: Girsu, city of ancient Sumer. Date: circa 2380 BC
SUMERIAN MYTHOLOGY
The Power And Importance Of Basketry To Sumerians
Basket weaving technology held a practical, religious, mythical, and mystical significance for Sumerians. Baskets were central to two Sumerian creation myths, for example, and a reference to reed huts, made with basket technology skills, was in the first eight lines of the principle Babylonian creation myth celebrated every New Year. In another Babylonian creation myth, the God Marduk created the world with the help of a reed mat (see next).
While this mythology cannot, of course, help historians establish a specific early date for basketry, it may be useful in other ways. The myths indicate that working with baskets was primal and fundamental and that baskets had deep roots in the birth of Sumerian culture. These roots were so deep they held a mythical power, indicating that they were important for Sumerian survival.
In addition to mythology, baskets played a key role in religious rituals. Before building a massive ten-story high ziggurat, the king performed a basket-bearing ceremony during which he carried a basket on his head. Furthermore, when the temple was being built, metal figures of the king with a basket on his head, called Foundation figures, were buried at key places during the construction of the ziggurat.
LEFT: A drawing of a Sumerian ziggurat
RIGHT: A central ziggurat in Babylon.
In the distance can be seen two other ziggurats as well.
Entitled "Babylon and its three towers."
I believe this all pointed to a reverence for the art and craft of basket making, a primordial skill that Sumerians believed had been passed down to them by the gods (see the myths next).
Ziggurats were central to Sumerian cultures, not just figuratively but literally. They stood in the middle of each city and because they were so tall, they dominated the cityscape and could be seen from just about any vantage point. The Sumerians believed each temple to be a place where their patron god dwelled.
Not unlike the gift of fire by Prometheus in Greek mythology, Sumerians believed that baskets had been given to humans by the gods. Baskets had existed before humans were created (see the third myth below) and humans were specifically created to "Bear the yoke. Let man carry the labor-basket of the gods.” Sumerians, therefore, saw basket-making as both a gift and a burden, but in any case, it was a sacred duty that had been ordained by the gods.
In practical terms, the basket had been pivotal for the growth, survival, and evolution of Sumerian life. The unpredictable, but seasonal flooding of their fields every year, brought a huge amount of silt which had to be dredged and managed with work baskets. The mostly clay silt was then hauled away to make bricks.
Early in the history of Sumer basic basket weaving technology was employed alongside the heavy task of dredging and managing the fields with work baskets. This included making levee foundations with reeds and bitumen, watering the fields with their newly invented shadufs and baskets coated with bitumen, transporting the harvested crops from the fields in baskets, and creating a fleet of reed boats of different sizes to work and navigate the intricate canals. I mentioned all of these earlier in this article, but this list, in particular, applies to the early basic tasks that were needed.
From the beginning, these basket weaving skills were necessary to engineer the dry and unpredictable landscape between the Tigris and the Euphrates Rivers. These skills provided a technological floor, a set of tools, that allowed the Sumerians to deal with most problems and to slowly invent a more developed culture.
This reverence for the basket and basket weaving skills was present at the earliest stages of Sumerian culture and was also essential for its continuance. The fact that the symbol of the basket was used to dedicate and consecrate the construction of each ziggurat was an indication of the special role that baskets played.
However, I have not seen an academic paper on Mesopotamia that has focused on this aspect of their culture. As a result, it has been ignored.
The God Enki
MYTH #1
"The Babylonian God Marduk “plaited a wicker hurdle on the surface of the waters. He created dust and spread it on the hurdle.” Thus ancient Mesopotamian myth describes the creation of the Earth using a woven reed mat."
(Britannica.com, Basketry)
MYTH #2
When on high the heaven had not been named,
Firm ground below had not been called by name,
Naught but primordial Apsu, their begetter,
(And) Mummu*–Tiamat, she who bore them all,
Their waters commingling as a single body;
no reed hut had been matted, no marsh land had appeared,
When no gods whatever had been brought into being,
Uncalled by name, their destinies undetermined—
Then it was that the gods were formed within them.
(Pritchard, Ancient Near Eastern Texts)
MYTH #3
THE WORKER GODS REBEL AGAINST THEIR TOIL
WITH THE LABOR-BASKET
(Frymer-Kensky, translator, "The Epic of Atra-Hasis Version 2")
edited for brevity by Rick Doble
They called the goddess and asked [her], the midwife of the gods, wise Namma: ”You are the birth-goddess, creatress of man. Create lullu-man [ED: Primitive Man], let him bear the yoke. Let him bear the yoke...; let man carry the labor-basket of the gods.”
[ED: The God Enki does what the worker gods ask and says]
I have removed your heavy labor, have placed your labor-basket on man.
MYTH #4
THE CREATION OF THE PICKAX
also known as:
THE SONG OF THE HOE
Upon his black-headed people
[ED: the Sumerians he created]
He looked steadfastly.
The Anunnaki
[ED: the greater gods]
who stood about Him,
He placed the pickax as a gift in their hands,
They soothe Enlil with prayer,
They give the pickax to the black-headed people to hold...
The pickax and the basket build cities.
(Kramer, Sumerian Mythology, pp. 51-53)
THE KING'S BASKET BEARING-RITUAL
"In southern Mesopotamia, the basket-bearing ritual was one of great antiquity. The earliest evidence suggesting it was being performed is a plaque that shows the Sumerian king Ur-Nanshe, ruler of the city-state of Lagash about 2500 B.C., Temple-building inscriptions ...about 2130 B.C., describe that ruler's ... carrying of a laborer's basket to initiate temple building [which] was understood as an act of religious piety that represented the ruler as temple builder and pious and humble servant of the gods."
The inscription concluded with, "Gudea,[the king] the builder of the temple, in the temple put the basket on his head like a holy crown; he laid the foundation, erecting the walls on the ground."
So the basket was seen as a symbol like a crown that empowered the king, a symbol that had been handed down to him from the gods.
(Porter, Trees, Kings, and Politics Studies in Assyrian Iconography)
LEFT: Detail of a statue of an Assyrian king performing
the basket-bearing ritual circa 700 BCE.
RIGHT: One of many Foundation figures
showing the king with a basket on his head
that was buried in the construction when a ziggurat was built.
THE SUMERIAN MEs
The "Craft of the basket weaver" is specifically mentioned in the list of Sumerian MEs, a basic list of essential cultural elements that make up civilization and were decreed by the gods.
(Kramer, The Sumerians, p. 116)
The Sumerian word ME denotes a key concept of Mesopotamian religion. It is often translated as "divine ordinances" or "divine powers"...
In Akkadian, the term is translated as 'rites', which may suggest that the gods derive their powers from rituals, which make up the fabric of the cosmic order in Mesopotamian culture.
(Oracc.museum.upenn.edu, "Ancient Mesopotamian Gods And Goddesses")
CONCLUSION: BASKET WEAVING AND SUMERIAN MYTHOLOGY
It is very clear that basket weaving was revered in Sumer. However, this has not been mentioned, except in passing, by most scholars.
The large number of myths, the importance of those myths (such as creation myths), the essential basket-bearing ritual by a king to dedicate the building of a ziggurat plus inclusion of the "Craft of the basket weaver" in the basic "divine ordinances" of the MEs of the gods, are conclusive evidence that basket weaving was considered fundamental and foundational, its technology underpinning the rise of Sumerian civilization. Nevertheless, I have yet to find a scholarly paper that comes to this conclusion other than my own work.
PUTTING IT ALL TOGETHER:
The Reed Industry & Basket Weaving Technology
While researchers may have had misconceptions about particular aspects of Mesopotamian cultures as described above, they also missed a major theme and failed to see the 'big picture'. Each woven fiber technology was often seen as separate and not part of the same set of skills. Nevertheless, all of these basket weaving skills and products taken together meant that there was an integrated wide-ranging technology. The ability to weave fibers and to create products from simple mats to huge boats was one of the key factors that allowed the world's first civilizations to emerge. These skills also gave them the expertise to solve unique problems such as making levee foundations from reeds and bitumen.
From my research, reeds composed the greatest part of boat and grass house construction (a mudhif was built entirely of reeds, including the rope) and they were a major part of levee construction. Plus work baskets made from reeds were essential for transporting harvested crops and for dredging the canals and carrying clay and bricks to build cities. And the abundance of high-quality reeds that grew naturally made the inexpensive manufacture of these items widely available.
In an article about a contemporary reed culture in South America, the Naval-Encyclopedia wrote the following emphasizing the power of basket-weaving technology in a wide variety of applications: from baskets to huts to boats.
Contemporary reed culture and basket weaving technology.
The houses and boats are made of reeds
and even the island itself is made of reeds in Lake Titicaca in Bolivia.
"Reeds of Lake Titicaca in Bolivia, as well as those bordering many of the great rivers,[ED: such as the Tigris & Euphrates] have been, for want of large trees, the material of choice for construction, from baskets to huts to boats...Reed boats like the Peruvian Totora [a Peruvian boat] are constructed much like braided baskets, with both ends curved upward. Their manufacture seems quick and easy, but it requires prerequisites and experience."
(Naval-Encyclopedia.Com, "Prehistoric-Boats")
Peruvian Totoras [Peruvian reed boats]
CONCLUSION
From the archeological finds of Neolithic baskets and remains of reed ships, it is clear that basket weaving technology was well developed long before the emergence of the Sumerian civilizations.
Basket weaving technology appears to have begun as small carry baskets in the Neolithic and Paleolithic eras and developed into the making of large homes, boats, and levee foundations along with a wide range of other products such as waterproof buckets for shadufs. In short, basketry gave people a basic tool to handle and solve many problems and was a fundamental technology.
This advanced technology was later applied as needed to solve a variety of unique Sumerian problems. These skills along with the Sumerian inventive and innovative nature were sufficient to bring their civilizations into being.
The remarkable rise of civilization in Mesopotamia was due to a combination of technologies: the older well-proven traditional basket weaving technology and the new innovations of smelting copper and bronze, along with the invention of writing, the wheel, irrigation, and more.
However, the newer technologies could not have succeeded without the assistance of the older technology. So civilization was not so much a great leap forward that left the older technologies behind, as it was instead an integration of the older technologies with the new.
And even with the widespread use of new technology, basket weaving technology continued to be employed throughout Sumeria. It touched everyone's lives and was familiar to all. It had a deep past, contributed to the new technology, and continued to be used in traditional ways even as Sumerian civilizations developed and flourished.
As a result, the mystique of the basket continued to be part of the Sumerian culture, and basketry was revered as one of the key technologies, if not the key technology, that led to the rise of civilization.
AFTERWORD
SARGON, THE KING OF AKKAD
This is an artist's conception of Sargon as a young man
who was beloved by the goddess Ishtar (right).
Notice that Sargon is carrying a basket.
The mystique of basketry was so powerful, that Sargon, the King of Akkad (died 2284 BCE) who conquered most of Southern Mesopotamia and is considered by many historians to be the first king to create a multi-national empire, felt the need to associate himself with the basketry mystique. He wrote that as a baby he was set adrift in a small reed boat (like a basket) coated with bitumen (not unlike Moses) only to be saved by a stranger. He wanted to present himself as a man of the people who had a humble birth but at the same time indicate that he had a mythical past.
Sargon Birth Legend
"I am Sargon, the mighty King of Akkad. ... When my mother had conceived me, she bore me in a hidden place. She laid me in a vessel of rushes [reeds], stopped the door thereof with pitch [bitumen], and cast me adrift on the river.... The river floated me to Akki, the water drawer, who, in drawing water, drew me forth. Akki, the water drawer, educated me as his son, and made me his gardener. As a gardener, I was beloved by the goddess Ishtar."
(Mackenzie, Myths of Babylonia and Assyria)
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